Transformative Use is Useless

‘Transformative use’ is just mucking things up.

That’s what I think.

Providing a pivot for the Cariou v Prince case and the only real point of interest no matter what the pundits say, transformative use, instead of the fog-clearing test that it was supposed to be, has become the main particulate in a legal fog of war that has lasted three years now.

Thus far, the dueling Cariou v Prince briefs have added new certainty to my theory that transformative use is a singularly unhelpful notion.

Read the rest on Hyperallergic

ALEX PRAGER: Where We Went From There

© 2010 Alex Prager
Alex Prager (American, born 1979) Desiree from the series The Big Valley. 2008. Chromogenic color print, 36 x 48 1/2" (91.4 x 123.2 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, Linda and Gregory Fischbach, and William S. Susman and Emily Glasser © 2010 Alex Prager, courtesy Yancey Richardson Gallery

There are moments throughout the history of art, when, marveling at the latest aesthetic affront, the public, the critics, and even fellow artists have thrown up their hands and asked, “Where can we possibly go from here?”

And as art has grown ever more referential and every medium, self-referential— when there is nary an image that does not lay claim to a legacy of irony that is now generations deep: well: what can possibly come next?

Answer: Alex Prager.

Continue reading “ALEX PRAGER: Where We Went From There”

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