Following up on the Velvet Underground v The Andy Warhol Foundation story, Hollywood Reporter speculates similarly to The Art Machine that the famed fruit’s copyright may belong to the record label.
Hollywood Reporters’s Eriq Gardner, wondering why the Velvet Underground hasn’t used a more fail-proof strategy of claiming the copyright for themselves (instead of opting to claim trademark protection on an image in the public domain) says,
“According to the facts in record, MGM Records paid both the band and Warhol $3,000 to furnish the image for use on the 1967 album cover. If the record label paid the money as a work-for-hire agreement, the true “author” of the image, under the law, would be the record label. We asked Universal Music Group, the seeming successor to MGM Records, to comment, but so far, we haven’t heard anything.”
It is an interesting speculation and one we may wonder about: is MGM silently planning its own little coup? And, if so, was it inspired by the Velvet’s bold but transparent strategies, or by press speculation about the Warhol graphic being a “work for hire?”
Or, maybe MGM has secret plans prompted by questions from sites like Hollywood Reporter asking them questions about the graphic? How meta would that be?
On Wednesday photo licensing services Getty Images and Corbis filed a “friend-of-the-court” brief in support of photographer Patrick Cariou’s copyright infringement lawsuit against the artist Richard Prince, whose “Canal Zone” paintings incorporate Mr. Cariou’s photographs of Rastafarians.
Mike Kelly’s work appealed to me. For composition, for color, for nuances of meaning, and for being, as he put it “reactive” — a feedback loop to our zeitgeist. He was funny and sad and intellectual all at once.
The Art Machine 