It’s Not Funny if You Have to Explain It
Phillips dePury has topped past unintentionally funny catalog copy with a new gem describing Lot 30 in it’s upcoming Contemporary Art Auction. Lauding Richard Prince’s “Untitled Joke Painting,” dePury opens with this dubious gusher:
“Richard Prince’s Joke Paintings have remained a constant high point within the artist’s output for over two decades.”
Mm-hmm: Yes. Yes they have remained the high point. Sadly.
Then, having prepped us with the bad news, dePury goes on to do the WORST thing you can ever do to a comic: they EXPLAIN his joke!
“The work is technically lush, utilizing both acrylic and collage. The centered block letters read, in nine rows, “I never had a penny to my name, so I changed my name. Again, I never had a penn.” Prince’s obvious joke is corroborated by letters cut in half, and even missing with respect to final “y” in penny. One must assume that he did not have enough to his name even to get the text set correctly.”
Yeah. Heh heh. That must be it.
Oh, but there’s a leetle bit more: in case you missed that other funny…
“Interestingly, the joke Prince prints across the present lot is entirely unrelated to the subject of nurses, and thus the viewer might be left wondering what the connection is between the subject and its background. …If what he has collected also amounts to the oeuvre he has amassed, perhaps it’s simply natural for one piece to pratfall over another.”
Thank you. We might otherwise have assumed that Richard Prince just had a few nurses to get rid of.
“Street Art” is Just a Word for “Emerging Designer”
We’ve all seen it. Shep, Damien, Banksy… they started out hanging from the eves with a spray can, and ended up hawking t-shirts and limited edition art objects online. Yet even the advent of “Mr. Brainwash” didn’t really force us to just come out and SAY it.
But hell, now it’s time: The streets are just a starter kit for emerging artists with “urban” flavor: the goal is a corporate brand like OBEY or Objective Criteria.
Still, The Guardian sought out, Jeffrey Deitch, for the final word on street art as “big business.”
“Today, somebody does a tag in Russia, China, Japan, or Africa, a friend photographs it and within a few hours it’ll be viewed on websites all over the world,” says Jeffrey Deitch, director of the Museum of Contemporary Art in Los Angeles, which recently opened a major show on the subject. “I think you can make a good case that street art is now the most influential art movement of the past 30 years. The penetration of urban culture is huge, and it’s influencing everything from skateboard design to high fashion. Some of these guys have even been hired to design Louis Vuitton handbags.”